I build and direct the systems behind playable worlds, production tools, simulation, procedural workflows, local AI, and connected media. I show the decisions, tests, and results behind the work.
Each project shows the problem, the production role, the decisions, and the finished work.
Case 01Gameplay, characters, comics, artifacts, music, and production tools connect around one authored world. The production structure, constraints, and public examples are shown without exposing unreleased story material.
Case 02Story constraints, character standards, audio delivery, image approvals, storyboard reviews, trailer cuts, and release boundaries move through one production lane for Ward 9.
Case 03Generation tiers, remeshing, rigging, deformation, high-density weighting, and Unreal handoff decisions were compared side by side. Failed approaches were measured, documented, and retired.
Case 04The work moves from story rules and prose through scripts, page plans, text-free artwork, deterministic panels, lettering, HTML readers, and publication. The first three issues establish the RHM story.
Open each demonstration to see the design, the workflow, and the result.
A replayable 3D city demonstration with optimization, measured outcomes, and an Unreal build.
Run city replay ↗
A local-AI workflow that moves rough design material through intake, classification, validation, and assembly.
Open production map ↗
Replay scenarios for turbine telemetry, interpretable decisions, and operational state.
Operate the twin ↗
A motion workflow for timing, performance review, and DCC handoff.
Direct motion ↗
Procedural concepts, experiments, recipes, and working examples in an atlas you can explore.
Open the atlas ↗These captures show movement, mission communication, interaction prompts, player state, enemies, and VFX working together in the build.
A forest adventure with Lisa, a champion's challenge, and a final stand at the gate. Built in Unreal Engine and playable here through Vagon Streams.
Objective language, world markers, hostile silhouettes, character-state VFX, compass direction, and forward motion share one playable frame.
Destination marking and environmental guidance align with the player action.
Color, silhouette, question-state UI, and fog preserve hierarchy under heavy effects.
The capture records locomotion timing against an active signal event.
Collision bounds, interaction placement, character scale, lighting, and spatial composition were tested in Unreal before the image was treated as finished work.
These tools organize creative material, expose gaps, and prepare work for the next production step while unreleased source material stays protected.
An organized workspace for song identity, lyrics, style constraints, exclusions, voice direction, and channel-specific copy for RHM and Ward 9.
The Oracle classifies story, systems, character, asset, and world questions as answered, partial, conflicting, or unresolved across 28 project references.
Locomotion authority, attack boundaries, and production tracking become clear build contracts.
Generation tiers, topology, rigging, deformation, performance constraints, and rejected paths stay visible.
Storyboards, album reviews, image approvals, and trailer evidence stay separate from final delivery.
These diagrams show ownership, dependencies, checkpoints, and what is ready to move forward.
Story rules, gameplay contracts, reusable components, assembly, and validation stay separate and traceable.
Open architecture → 02 / Episode architectureProduction loops are grouped by what each stage must accomplish before the scope expands.
Open loop map → 03 / Runtime audioAnimation, notifies, tags, MetaSounds, and submix ownership connect in one runtime lane.
Open audio map → 04 / Media operationsThe brief, build, review, source, and release stay separated into clear production steps.
Open control plane →These RHM comparisons show construction decisions without exposing source models, private repositories, or unreleased story material.
Matte-black structure, gold inlays, and cyan resonance carry from concept art through 3D generation, materials, and animation tests.
Source heroes, rigged versions, and quality tiers share one comparison view so fidelity loss and outliers are visible immediately.
A hero source sits beside its rig-ready result so the production trade can be checked before the asset reaches gameplay.
The Cargo Civilian separates into an approved full look, a neutral rigging base, and reusable garment pieces. Character variation becomes a controlled assembly problem instead of a new full-body generation pass.
The remesh step was measured and changed when it stopped improving the source.
The raw API heroes already contained usable geometry. Remeshing toward 300K quads increased geometry without creating new detail, so quality control moved upstream to generation and downstream to engine-ready materials and outlines.
Automatic weights worked on the staff; procedural weighting handled the belt and glove when density and topology made ordinary automation unreliable.
Automatic weights were sampled instead of trusted by appearance alone. The finished proof shows a smooth multi-bone curl without visible pinching.
The 1.6M-vertex loop was weighted by angle around the ring so it could be sampled and verified without destructive decimation.
This review animatic is labeled honestly as work in progress, not presented as a finished trailer.
The work moves through a clear sequence: define the promise, build the artifact, test the result, and package the decisions.
Establish the audience, experience, production boundary, and what must be proven.
Build the systems, assets, media, tools, and review surfaces together.
Record visual checks, runtime results, costs, failure paths, and comparisons.
Public work, case studies, handoffs, and the decisions behind them stay connected.
Selected breakdowns from MMKPC Studios projects across games, technical art, production systems, comics, music, and cinematic media.
Play Project Loon